GURBETSTUDIO
HAJJI
Shortfilm; Length: 08:50
Exhibition: Eigen+Art LAB Berlin, 2020
Music: Live by Medusa (Mazkeka, Jerusalem, Nov 7, 2019 00:52:24)
Ottoman Christians stole Hajji / Хаджи / الحجّي. Pilgrimage routes crossed borders. Christian, Jewish, Muslim threads tangled. The knot holds.
ДОРА
Installation: Slide Projectors, Slides, Audio Records, Speakers, Pedestals
Collaboration: Jamie Kühn (Arch.)
Exhibition: Folkwang Museum, Essen, 2017
Photographs projected onto empty walls. Original sound in the fracture. A home appears where none exists.
MY SUNSHINE
Video Installation
Audio: Sonified solar data from Stanford/ESA/NASA (SOHO observatory)
Exhibition: Minshar School of Art, Tel Aviv, 2019
A hand raises a mirror to seize the sun. Radiation hums back, unowned. The light slips.
WE INVENTED THE BAUHAUS
C-Prints and Text Printed on Matte Paper, 50 x 65 cm
"2035" Cross-Disciplinary Project of the Architectural Association (AA) London and State Academy of Art and Design, Stuttgart, 2019
Stuttgart 21 consumed the city. Bauhaus principles dressed the ruins. Functionality arrived simple and social. The mess stayed.
ЙОВА
Shortfilm (Preview), 11:15 min Installation: Cars, Monitors, Media Players, Batteries Kunstverein Heidelberg, 2019
Ancestor research and goodbye. Drove a family heirloom to the dead village. Spent one night in the empty house. What remained fit in the trunk.
DIALECT
Shortfilm, 7:27 min, with Mizi Lee
Screenings: Kasseler Dokfest 2018, Bali Kino Kassel
Seoul artist in Stuttgart. First half Korean, second half German. Two languages, one room, no translation.
THE GREAT INFINITY POOL
Exhibition series 2016–2017
Museum Folkwang Essen, Baumwoll-Spinnerei Leipzig, Academy of Art and Design Stuttgart
VR connection Leipzig–Stuttgart, bilingual texts
Catalogue Vol. 3, Poster, Vernissage 1 and 2, Bilingual Texts
VR goggles connected Leipzig to Stuttgart. Two cities became one room. The illusion was complete.
ESCAPES
Digitally manipulated portrait series, 2010 (pre-AI era)
Pulp-fiction covers swallowed the coast. Friends and places distorted by early software. The computer lied first.